![]() Critic and musicologist Joseph Kerman calls it "the most problematic single work in Beethoven's output and. ![]() Music analysts and critics have described the Grosse Fuge as "inaccessible", "eccentric", "filled with paradoxes", and "Armageddon". The Grosse Fuge was first performed in 1826, as the finale of the B ♭ quartet, by the Schuppanzigh Quartet. ![]() The work was composed when Beethoven was nearly totally deaf, and is considered to be part of his set of late quartets. Beethoven complied, and the Grosse Fuge was published as a separate work in 1827 as Op. 130, written in 1825 but Beethoven's publisher was concerned about the dismal commercial prospects of the piece and wanted the composer to replace the fugue with a new finale. The Grosse Fuge was originally composed as the final movement of Beethoven's Quartet No. Igor Stravinsky described it as "an absolutely contemporary piece of music that will be contemporary forever". However, critical opinion of the work has risen steadily since the early 20th century and it is now considered among Beethoven's greatest achievements. A reviewer writing for the Allgemeine musikalische Zeitung in 1826 described the fugue as "incomprehensible, like Chinese" and "a confusion of Babel". An immense double fugue, it was universally condemned by contemporary music critics. 133, is a single-movement composition for string quartet by Ludwig van Beethoven. The Grosse Fuge (German spelling: Große Fuge, also known in English as the Great Fugue or Grand Fugue), Op.
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